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"I don't suppose any one will take the slightest notice of him," says Violet: "that is one comfort." "But why should night produce melancholy?" says Nicholas, dreamily. "It is but a reflection of the greater light, after all. What does Richter call it? 'The great shadow and profile of day.' It is our own morbid fancies that make us dread it." Altogether it is a very exciting and pleasurable moment..

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"Your wife, Geoffrey?" she says, holding Mona's hand all the time, and gazing at her intently. Then, as though something in Mrs. Geoffrey's beautiful face attracts her strangely, she lifts her face and presses her soft lips to Mona's cheek. "Forgive me, Mona," he says, with deep entreaty. "I confess my fault. How could I speak to you as I did! I implore your pardon. Great sinner as I am, surely I shall not knock for forgiveness at your sweet heart in vain!" "Try not to hate me," he says, imploringly, in a broken voice, going suddenly up to her and taking one of her hands in his. His grasp is so hard as almost to hurt her. Mona awakening from her reverie, turns to him with a start. Something in his face moves her. It is a very curious little room they enter,—yet pretty, withal, and suggestive of care and affection, and certainly not one to be laughed at. Each object that meets the view seems replete with pleasurable memory,—seems part of its gentle mistress. There are two windows, small, and with diamond panes like the parlor, and in the far end is a piano. There are books, and some ornaments, and a huge bowl of sweetly-smelling flowers on the centre-table, and a bracket or two against the walls. Some loose music is lying on a chair..