Mary lived in a tiny house behind a strip of garden. It stood in a narrow side street between two public-houses, and was covered with ivy. It had two windows above and a window and a door below. The upstairs rooms belonged to the churchwardens and were used as a storehouse for old parish registers, deemed of little value. Mary Stopperton and her bedridden husband lived in the two rooms below. Mary unlocked the door, and Joan passed in and waited. Mary lit a candle that was standing on a bracket and turned to lead the way. Joan felt her knees trembling. A cold, creeping fear was taking possession of her. Why, she could not understand. She must have been mistaken. People don’t make-up their tongues. It must have been the lips. And even if not—if the woman had licked the brush! It was a silly trick people do. Perhaps she liked the taste. She pulled herself together and tapped at the door.!

“It’s you women that make war,” he continued. “Oh, I don’t mean that you do it on purpose, but it’s in your blood. It comes from the days when to live it was needful to kill. When a man who was swift and strong to kill was the only thing that could save a woman and her brood. Every other man that crept towards them through the grass was an enemy, and her only hope was that her man might kill him, while she watched and waited. And later came the tribe; and instead of the one man creeping through the grass, the everlasting warfare was against all other tribes. So you loved only the men ever ready and willing to fight, lest you and your children should be carried into slavery: then it was the only way. You brought up your boys to be fighters. You told them stories of their gallant sires. You sang to them the songs of battle: the glory of killing and of conquering. You have never unlearnt the lesson. Man has learnt comradeship—would have travelled further but for you. But woman is still primitive. She would still have her man the hater and the killer. To the woman the world has never changed.” In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life.

“It’s such a lovely evening,” he said. “Couldn’t we go somewhere and dine under a tree?” She rose and replaced the chair. And suddenly a wave of pity passed over her for the dead woman, who had always seemed so lonely in the great stiffly-furnished house, and the tears came. Flossie, who had been hovering impatient, broke in.