“Why did you give it up?” asked Joan. “It’s such a lovely evening,” he said. “Couldn’t we go somewhere and dine under a tree?”!

The landlady entered unexpectedly with the tea; but he did not rise till Joan turned away, nor did he seem disconcerted. Neither did the landlady. She was an elderly, quiet-eyed woman, and had served more than one generation of young people with their teas. “I am going to bed now,” she said. “I wanted to see you from what Papa told me. May I kiss you?”

She introduced her. Miss Tolley bowed; and allowed herself to be drawn away by a lank-haired young man who had likewise been waiting for an opening. He represented the Uplift Film Association of Chicago, and was wishful to know if Miss Tolley would consent to altering the last chapter and so providing “Running Waters” with a happy ending. He pointed out the hopelessness of it in its present form, for film purposes. One evening, on her way home from a theatre, she met Flossie. “Can’t stop now,” said Flossie, who was hurrying. “But I want to see you: most particular. Was going to look you up. Will you be at home to-morrow afternoon at tea-time?” Only once had she ever thought of marriage. And that was in favour of a middle-aged, rheumatic widower with three children, a professor of chemistry, very learned and justly famous. For about a month she had thought herself in love. She pictured herself devoting her life to him, rubbing his poor left shoulder where it seemed he suffered most, and brushing his picturesque hair, inclined to grey. Fortunately his eldest daughter was a young woman of resource, or the poor gentleman, naturally carried off his feet by this adoration of youth and beauty, might have made an ass of himself. But apart from this one episode she had reached the age of twenty-three heart-whole.