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They have reached the farm again by this time, and Geoffrey, taking up the guns he had left behind the hall door,—or what old Scully is pleased to call the front door in contradistinction to the back door, through which he is in the habit of making his exits and entrances,—holds out his hand to bid her good-by.,

Mona makes no reply.,

"I am afraid of her; I was never so afraid of any one before. I have made it the business of my life to avoid her ever since last New Year's Day, when some kind fellow told me it was leap-year. You know I never yet said 'No' to any one, and I shouldn't dare begin by saying it to Miss Cheviot. She has such a stony glare, and such a profusion of nose!",

All day long, and often far into the night, these two sat on a near-by hill and wailed, and their mourning was sad.

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Her tone is so unpleasant and so significant that silence falls upon the room. Geoffrey says nothing. Perhaps he alone among them fails to understand the meaning of her words. He seems lost in thought. So lost, that the others, watching him, wonder secretly what the end of his meditations will bring forth: yet, one and all, they mistake him: no doubt of Mona ever has, or ever will, I think, cross his mind.,

"Did she stop there?" he says: "that was unworthy of her. Breath for once must have failed her, as nothing so trivial as want of words could have influenced Miss Carson.",

"It is like a fairy-tale," says Violet, with unwonted excitement. "Oh, Mona, tell us how you managed it.",

"Except that my hair is rolled up, and is too dark, isn't it? I have read about her, and I once saw a picture of Marguerite in the Gallery in Dublin, and it was very beautiful. I remember it brought tears to my eyes, and Aunt Anastasia said I was too fanciful to be happy. Her story is a very sad one, isn't it?"