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"Yes, let us," says Mona, gayly.,

She makes various attempts at thinking it out. She places her pretty hands upon her prettier brows, under the mistaken impression common to most people that this attitude is conducive to the solution of mysteries; but with no result. Things will not arrange themselves.,

Old Man caused grass to grow on the plains, so that the animals might have something to feed on. He marked off certain pieces of land, where he caused different kinds of roots and berries to grow—a place for camas; and one for wild carrots; one for wild turnips, sweet root and bitter root; one for service berries, bullberries, cherries, plums, and rosebuds.,

Soon an old woman, bent with age and crippled, came from the door and smiled as she saw the two persons coming.

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"It has broken out again!" she says, nervously. "I am sure—I am certain—it is a worst wound than you imagine. Ah! do go home, and get it dressed.",

Then Cold Maker took from a little sack a few white eagle-down feathers. He blew them from him. At once a fierce storm blew across the valley. The bitter cold froze the water, but only in this one place. It dammed the stream with fast forming ice. The water rose higher and higher. It spread out over the banks. Cold Maker and Broken Bow went far off on the hills and watched it. Little by little it rose. It reached the stone lodge. The bears roared. The woman screamed. The water reached the top and covered the lodge from sight. All sound ceased. A moment more, and the water was quiet. Once more Cold Maker blew from him a few white eagle-down feathers. The storm subsided. It became warm again. The ice melted. The water retreated to its channel.,

And here perhaps it will be as well to explain the trouble that at this time weighs heavily upon the Rodney family.,

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.