That punctilio didn't prevent Owen from remaining with her after they had left the shop, from hoping she had a lot more to do, and from pressing her to look with him, for a possible glimpse of something she might really let him give her, into the windows of other establishments. There was a moment when, under this pressure, she made up her mind that his tribute would be, if analyzed, a tribute to her insignificance. But all the same he wanted her to come somewhere and have luncheon with him: what was that a tribute to? She must have counted very little if she didn't count too much for a romp in a restaurant. She had to get home with her trimming, and the most, in his company, she was amenable to was a retracing of her steps to the Marble Arch and then, after a discussion when they had reached it, a walk with him across the Park. She knew Mona would have considered that she ought to take the omnibus again; but she had now to think for Owen as well as for herself—she couldn't think for Mona. Even in the Park the autumn air was thick, and as they moved westward over the grass, which was what Owen preferred, the cool grayness made their words soft, made them at last rare and everything else dim. He wanted to stay with her—he wanted not to leave her: he had dropped into complete silence, but that was what his silence said. What was it he had postponed? What was it he wanted still to postpone? She grew a little scared as they strolled together and she thought. It was too confused to be believed, but it was as if somehow he felt differently. Fleda Vetch didn't suspect him at first of feeling differently to her, but only of feeling differently to Mona; yet she was not unconscious that this latter difference would have had something to do with his being on the grass beside her. She had read in novels about gentlemen who on the eve of marriage, winding up the past, had surrendered themselves for the occasion to the influence of a former tie; and there was something in Owen's behavior now, something in his very face, that suggested a resemblance to one of those gentlemen. But whom and what, in that case, would Fleda herself resemble? She wasn't a former tie, she wasn't any tie at all; she was only a deep little person for whom happiness was a kind of pearl-diving plunge. It was down at the very bottom of all that had lately happened; for all that had lately happened was that Owen Gereth had come and gone at Poynton. That was the small sum of her experience, and what it had made for her was her own affair, quite consistent with her not having dreamed it had made a tie—at least what she called one—for Owen. The old one, at any rate, was Mona—Mona whom he had known so very much longer. "I see in it simply what must be, if you've a single spark of pity. Where on earth was the double game, when you've behaved like such a saint? You've been beautiful, you've been exquisite, and all our trouble is over."!

"Should I love him for all he has made you suffer?" "The old things?" Fleda considered again. "It will do no good of any sort to anything or any one. That's another question I would rather we shouldn't discuss, please," she gently added.

"What then did she mean to do?" "The one I've already made so clear to you: my having it in black and white, as you may say, from her that she freely gives him up." "Precisely. Yours."