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The other smiles faintly. He is evidently glad because of Geoffrey's words, but speech is now very nearly impossible to him. His attempt to rise, to point out the imaginary moonlight to Mona, has greatly wasted his small remaining stock of life, and now but a thin partition, frail and broken, lies between him and that inexorable Rubicon we all must one day pass. Then she and her two daughters quit the "coach," as Carson pere insist on calling the landau, and flutter through the halls, and across the corridors, after Mona, until they reach the room that contains Lady Rodney. The girl hid her face in her robe and brushed the ground with the point of her moccasin, back and forth, back and forth, for she was thinking..
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Then Mona rises, and they both come to the entrance of the small room, and stand where Lady Rodney can overhear what they are saying. The stranger is advancing slowly: he is swarthy, and certainly not prepossessing. His hair is of that shade and texture that suggests unpleasantly the negro. His lips are a trifle thick, his eyes like sloes. There is, too, an expression of low cunning in these latter features that breeds disgust in the beholder. The grass is still brown, the trees barren, no ambitious floweret thrusts its head above the bosom of its mother earth,—except, indeed, those "floures white and rede, such as men callen daisies," that always seem to beam upon the world, no matter how the wind blows. "Even in my thoughts I never applied those words to you," says Mona, earnestly. "Yet some feeling here"—laying her hand upon her heart—"compels me to believe you are not dealing fairly by us." To her there is untruth in every line of his face, in every tone of his voice..
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