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“There ain’t a shadder of a doubt Moses takes arter his Par in the gift of the gab,” was Mrs. Wopp’s genial rejoinder. What more might he do to hasten the Saturday work? He could not chop the kindling or fill the wood boxes. The weeding! It was behind. Both mother and sister had reminded him repeatedly, but he had forgotten. Only yesterday his sister had made tidy the flower beds that flanked the house; but the melons, the vegetables,—they were not done, and that would make no noise. “All this turnin’ is good for the liver too you know,” she continued, as her son’s vinegary expression remained unaltered..
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Conrad
Next followed a buckboard gaily painted red. Mrs. Mifsud and her daughter Maria aged fourteen who had taken a “quarter” of music lessons and was now the organist of the church, were occupants. Between them was wedged the pet of the family St. Elmo Mifsud a child of four. St. Elmo wore long chestnut curls and an angelic expression. Clarence Egerton Crump, Mrs. Mifsud’s nephew who was visiting his aunt and cousins, accompanied the family on his wheel. The heat and smoke increased alarmingly as they went on, the man puffing at the boy’s pace. In and out, occasionally doubling and returning but never losing altitude, Billy crashed on. His slender body slipped through underbrush by way of small apertures that would not admit the man’s greater bulk; he had to break his way. The boy, also accustomed to running, climbing, had the advantage of better breath; though the other could not, Billy still held his mouth shut against the suffocating smoke, kept his smarting eyes partly closed. Mrs. Wopp rose from her chair and seating herself on the sofa beside her husband took his thin hand in her substantial one, squeezing it openly. Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother..
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