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Her eyes have grown darker; her mouth is stern. To Rodney, who is watching her anxiously, she seems positively transformed. What a terrible power lies within her slight frame to feel both good and evil! What sad days may rest in store for this girl, whose face can whiten at a passing grievance, and whose hands can tremble at a woe in which only a dependant is concerned! Both sorrow and joy must be to her as giants, strong to raise or lower her to highest elevations or lowest depths. "Is your home very beautiful?" asks she, timidly, looking at him the more earnestly in that he seems rapt in contemplation of the valley that spreads itself before him. "You are doing it beautifully: keep it up," whispers he back: "she'll give you something nice if you sustain that look for five minutes longer. Now!—she is looking; hurry—make haste—put it on again!".
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Conrad
"Wouldn't they?" says Rodney, leaning on his elbow as the argument waxes warmer; "then all I can say is, I never met any 'other people.'" "More comfortable, at least." They have reached the farm again by this time, and Geoffrey, taking up the guns he had left behind the hall door,—or what old Scully is pleased to call the front door in contradistinction to the back door, through which he is in the habit of making his exits and entrances,—holds out his hand to bid her good-by. "To love such a woman as that, and be beloved by her, how it would change a man's whole nature, no matter how low he may have sunk," he says, slowly. "It would mean salvation! But as it is—No, I cannot draw back now: it is too late.".
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