"I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed. "Do you really think so?" Fleda presently inquired. "I mean, does he, after the fact, as it were, accept it?"!

"Deuce take you, no! To what we don't, you know, by your wish, ever talk about." She had once more disengaged herself, with the private vow that he shouldn't yet touch her again. It was all too horribly soon—her sense of this was rapidly surging back. "We mustn't talk, we mustn't talk; we must wait!" she intensely insisted. "I don't know what you mean by your freedom; I don't see it, I don't feel it. Where is it yet, where, your freedom? If it's real there's plenty of time, and if it isn't there's more than enough. I hate myself," she protested, "for having anything to say about her: it's like waiting for dead men's shoes! What business is it of mine what she does? She has her own trouble and her own plan. It's too hideous to watch her and count on her!"

"She knows he would do anything to marry you." Facing him, waving him away, she had taken another upward step; but he sprang to the side of the stairs and brought his hand, above the banister, down hard on her wrist. "Do you mean to tell me that I must marry a woman I hate?" "Then where is he?" poor Fleda helplessly wailed. She caught herself up, however; she did her best to be brave and clear. Before Mrs. Gereth could reply, with due obviousness, that this was a question for her not to ask, but to answer, she found an air of assurance to say: "You simplify far too much. You always did and you always will. The tangle of life is much more intricate than you've ever, I think, felt it to be. You slash into it," cried Fleda finely, "with a great pair of shears, you nip at it as if you were one of the Fates! If Owen's at Waterbath he's there to wind everything up."