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As he makes this last extraordinary remark he looks over his left shoulder, as though fearful of being overheard. "Poor Mona!" says Geoffrey; "don't tell her about it, as remorse may sadden her." "By and you will think differently," says Mona, believing he alludes to his surrender of the Rodney property "You will get over this disappointment.".
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Her eyes have grown darker; her mouth is stern. To Rodney, who is watching her anxiously, she seems positively transformed. What a terrible power lies within her slight frame to feel both good and evil! What sad days may rest in store for this girl, whose face can whiten at a passing grievance, and whose hands can tremble at a woe in which only a dependant is concerned! Both sorrow and joy must be to her as giants, strong to raise or lower her to highest elevations or lowest depths. The man who had used the knife scalped his enemy, and slowly, hidden by the grass, crept down the hill that he had just ascended, and when he reached the cover of a low place Mīka´pi rose to his feet and crept away. He had another Snake scalp tied to his belt. His heart was glad, but he was not satisfied. That he—who has known so many seasons, and passed through the practised hands of some of the prettiest women this world can afford, heart-whole, and without a scratch—should fall a victim to the innocent wiles of a little merry Irish girl of no family whatever, seems too improbable even of belief, however lovely beyond description this girl may be (and is), with her wistful, laughing, mischievous Irish eyes, and her mobile lips, and her disposition half angelic, half full of fire and natural coquetry. "Oh, no, I'm not clever," says Mona; "but"—nervously and with downcast eyes, addressing Geoffrey—"I might perhaps be able to make you a little more comfortable.".
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