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“But this is the time my mama needs me,” May Nell sobbed; “Sunday night in the two-light time, before the stars come out, really, and when the shadow people creep from the corners and blink at you.” “Yes; but—oh, Billy, it’s awful to have to grow up and be proper. I begged mamma not to put my dresses down, but I’m past thirteen, and big as she is. And—” May Nell had learned to use the towel; and the two children usually “did” the dishes at night; but now she was away with Edith at the Opera House, and mother and son were alone in the kitchen..
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Conrad
Moses was whistling a dismal discordant air in the backyard when the voice of his mother smote his ears. “I dassent do it, Betty,” replied Moses. “Anyhow this ole pair of scissors ’d do the job better.” The Wopp parlor was seldom entered, except on very special occasions or when Mrs. Wopp with formality and no undue haste dusted the furniture. The room had an air of solemnity and gloom, absent in the cheerful dining-room where the family usually sat. A homemade rag carpet covered the floor. Six slippery, horsehair chairs, one of them a rocker, and a horsehair couch, which did not invite confidence, were ranged stiffly around the sides of the room. In one corner was an ancient organ, wheezy and querulous with neglect, and in another stood a lofty what-not, on whose numerous shelves were deposited the family treasures. Here, was a woolly lamb at one time beloved of Moses; there his tin savings bank. Stiffly upright stood Betty’s wax doll Hannah, seldom played with and then only for a few minutes at a time. Mrs. Wopp was represented by a few shell boxes and a match box of china flanked by a sleek china cat. “Alone?”.
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