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"Sure they all admire me," says Miss Mona, with an exasperating smile, meant to wither. "Go and dance, my dear," he says, quickly, in a tone that decides her. It is to please him, for his sake, she must do this thing; and so, without any awkward hesitation, yet without undue haste, she turns and lays her hand on the Australian's arm. A few minutes later she is floating round the room in his arms, and, passing by Geoffrey, though she sees him not, is seen by him. "But you said if the buffalo would only jump over, you would marry one of them. Look, the piskun is full.".

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"I'm off, miss," says the miscreant, and, true to his word, darts through the hedge again like a shaft from a bow, and, scurrying through the fields, is soon lost to sight. "Is it a long drive, Geoff?" she asks, presently, in a trembling tone, slipping her hand into his in the old fashion. "About six miles. I say, darling, keep up your spirits; if we don't like it, we can leave, you know. But"—alluding to her subdued voice—"don't be imagining evil." She lays her hand upon her heart, as though she would say, "The wound lies here," and once more turns to the door. To her it is an awful moment. Never before has she stood face to face with dissolution, to wait for the snapping of the chain,—the breaking of the bowl. "Neither the sun nor death," says La Rochefoucauld, "can be looked at steadily;" and now "Death's thousand doors stand open" to receive this man that but an hour agone was full of life as she is now. His pulses throbbed, his blood coursed lightly through his veins, the grave seemed a far-off destination; yet here he lies, smitten to the earth, beaten down and trodden under, with nothing further to anticipate but the last change of all..