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From the waist down, Moses’ masculine and uncouth figure seemed to utter a dull protest against cut-me-downs. There are many forces in life that growing youths are not able to control. One of these, in the career of Moses, was the inexorable will of his mother that ordained homemade garments for his nether limbs. Made from his father’s discarded trousers of black and grey check, the new pair of abominations that adorned the legs of the youthful Wopp bore evidence to the unskilled fingers of the maker. They had the generous dimensions allowed by an imaginative and economical mind that could look into the future and could see legs lengthening and a general expansion. In fact, the coarse checked tweed fell in slight gathers, fore and aft. The dingy greenish-grey coat that slouched from Moses’ shoulders did not fail to heighten the effect, but seemed to set the costume in italics. Ebenezer Wopp sat at the head of the table. Beaming from behind a promising array of cups and saucers, his portly wife presented a countenance of aggressive hospitality. In height and girth Mrs. Wopp had much the advantage of her husband. “‘The sturdy oak and ash unite’;.

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Nancy was the older and larger of the two, and having long been the pampered favorite of the house, she had at first resented the introduction of Jethro. She would not associate with him at all, and whenever he came dancing into the room where she was, she generally withdrew with the greatest possible dignity. Vigorously all joined in the closing hymn and Mrs. Wopp’s high soprano could be heard above all the other voices. A sense of duty well performed added even greater power to the vocal billowing. “Leave the boy be, Lize,” directed Ebenezer Wopp, whom the pride-inspiring events of the evening had rendered more self-assertive than usual. “He aint crowin’ none, an’ what he done brung credit to the hullo’ us.” “Here, Mose, hoi’ this here jint while I fit the next one inter it.” A tongue-twisting silence ensued..