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"The only time I shed tears," says Mr. Darling, irrelevantly, "for many years, was when I heard of the old chap's death. And they were drops of rich content. Do you know I think unconsciously he impregnated her with her present notions; because he was as like an 'ancient Briton' himself before he died as if he had posed for it." "Sure they all admire me," says Miss Mona, with an exasperating smile, meant to wither. "Yes. I'm not much," confesses Mr. Darling, blandly. "Others are more fortunate. I'm like 'the man in the street,' subject to all the winds of heaven. Why, it would almost tempt a man to stay away from home occasionally to know there was some one longing for his return. It would positively encourage him to dine out whenever he got the chance.".
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Conrad
It seems such a direct running commentary on Mona's supposed ill deed that every one—as by a single impulse—looks up. Nolly and Jack Rodney exchange covert glances. But for the depression that reigns all round, I think these two would have given way to frivolous merriment. "I'm ready now, miss, if you are," says Mickey from the background, with the utmost bonhommie, and in a tone that implies he is quite willing not to be ready, if it so pleases her, for another five minutes or so, or even, if necessary, to efface himself altogether. He is a stalwart young Hibernian, with rough hair and an honest face, and gray eyes, merry and cunning, and so many freckles that he looks like a turkey-egg. "Ah! Tobacco! First introduced by Sir Walter Raleigh," murmurs Lady Lilias, musingly. "Too modern, but no doubt correct and in keeping. Your uncle, then,"—looking at Mona,—"is beyond question an earnest student of our faith." "No;" she might in all truth have added, "because I did not care to know," but what she does say (for incivility even to an enemy would be impossible to Mona) is, "I thought perhaps you might not like it.".
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