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Alone disturb the stillness of the scene," With this she inclines her head, and without another word goes back by the way she has come. "It is really hardly worth talking about," she says, grandly. "I was foolish to lay so great a stress on such a trifling matter. It doesn't signify, not in the least. But—but," the blood mounting to her brow, "if ever you speak of it again,—if ever you even mention the word 'heather,'—I shall hate you!".

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"Oh, no! it is not that! you must know it is not that," says Mona, in deep grief. "It is that I cannot marry you!" "No, no. She will stay," says Geoffrey, hurriedly: "I only want to tell you, my dear fellow, how grieved I am for you, and how gladly I would undo many things—if I could." "Oh! catch him! do catch him!" cries Mona, "Look, there he is again! Don't you see?" with growing excitement. "Over there, under that bush. Why on earth can't you see him? Ha! there he is again! Little wretch! Turn him back, Geoffrey; it is our last chance." The postman himself is an institution in the village, being of an unknown age, in fact, the real and original oldest inhabitant, and still with no signs of coming dissolution about him, thereby carrying out Dicken's theory that a dead post-boy or a dead donkey is a thing yet to be seen. He is a hoary-headed old person, decrepit and garrulous, with only one leg worth speaking about, and an ear trumpet. This last is merely for show, as once old Jacob is set fairly talking, no human power could get in a word from any one else..