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Betty watching her, thought she had never seen “Mar” look so handsome and she thoroughly appreciated the cause. The ivy and the Idean vine.’ “Bctcher took orl mornin’ to tittyvate them there carrots,” offered Moses, edging up to Maria with conciliatory glances, and jostling St. Elmo who stood waiting to contribute his donation. The little fellow, whose nose was still “bluggy” from tripping over the saw-horse, dropped his lonely long scraggy carrot on the floor, and in stooping to pick it up struck his head against the handle of a hay-fork and emitted a howl that might have been heard by the heathen themselves in Africa. Betty comforted him with a gum-drop that had lain neglected in her pocket for several weeks, and the cries ceased..

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“Hev you ever hed a toothache an’ orl at onct it bust an’ stopped achin’? Well, no matter what trouble yer in, jist a sight o’ Betty’s like that.” Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them. “When Moses is growed up, Mar, I think it ’ud be jist lovely fer him to be in the Mounted P’lice. He’s so clever at findin’ things an’ he’d look jist grand in the clothes,” enthused Betty. He tried to hold it from falling, but could not. It seemed as if his arms would be pulled out of their sockets. It would fall short—he must hold on to it, not let it strike below, for the noise would betray them too soon; and—the men in the wagon were passing!.