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"Hist, Miss Mona! hist!" says this voice close at Mona's ear. She starts violently. "You have come quite half an hour earlier than we expected you," says Sir Nicholas, looking with fond satisfaction into Miss Darling's eyes. "These trains are very uncertain." Though uncertain that she regards him with any feeling stronger than that of friendliness (because of the strange coldness that she at times affects, dreading perhaps lest he shall see too quickly into her tender heart), yet instinctively he knows that he is welcome in her sight, and that "the day grows brighter for his coming." Still, at times this strange coldness puzzles him, not understanding that.
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"Of course you must come here," says Lady Rodney, who is afraid of the county and what it will say if it discovers she is at loggerheads with her son and his bride. But there is no welcome in her tone. And Geoffrey, greatly discouraged, yet determined to part friends with her for Mona's sake,—and trusting to the latter's sweetness to make all things straight in the future,—after a few more desultory remarks takes his departure, with the understanding on both sides that he and his wife are to come to the Towers on the Friday following to take up their quarters there until Leighton Hall is ready to receive them. and light breaks through shutter and curtain, and objects pale and ghostly at first soon grow large and intimate. "Much better do that"—gloomily—"than marry me Nothing comes of unequal marriages but worry, and despair, and misery, and death," says Mona, in a fearful tone, emphasizing each prophetic word with a dismal nod. "Thank you," says Lady Rodney, coldly, letting her lids fall over her eyes..
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