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May Nell had learned to use the towel; and the two children usually “did” the dishes at night; but now she was away with Edith at the Opera House, and mother and son were alone in the kitchen. The Wopp parlor was seldom entered, except on very special occasions or when Mrs. Wopp with formality and no undue haste dusted the furniture. The room had an air of solemnity and gloom, absent in the cheerful dining-room where the family usually sat. A homemade rag carpet covered the floor. Six slippery, horsehair chairs, one of them a rocker, and a horsehair couch, which did not invite confidence, were ranged stiffly around the sides of the room. In one corner was an ancient organ, wheezy and querulous with neglect, and in another stood a lofty what-not, on whose numerous shelves were deposited the family treasures. Here, was a woolly lamb at one time beloved of Moses; there his tin savings bank. Stiffly upright stood Betty’s wax doll Hannah, seldom played with and then only for a few minutes at a time. Mrs. Wopp was represented by a few shell boxes and a match box of china flanked by a sleek china cat. As Clarence depicted the terror of the father, lest his arrow miss the mark and kill his son, Moses rose from his chair in breathless suspense. However, the arrow cleft the apple and left the boy unscathed, and the relieved Moses, sinking back in his chair, recovered himself sufficiently to murmur “What an orful chanct fer anyone ter take!”.
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kez_ h (Kez_h)
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“Are there many ships in sight?”I tried logging in using my phone number and I
was supposed to get a verification code text,but didn't
get it. I clicked resend a couple time, tried the "call
me instead" option twice but didn't get a call
either. the trouble shooting had no info on if the call
me instead fails.There was
“Hold on, Bob. I want to speak to you.”
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Conrad
“Put some sunshine into your voices children,” admonished Nell. Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother. “She’s been stolen, mother! But I’ll find her—I know where to look. Don’t be afraid, mother, I will find her!” he repeated with grave emphasis, as he whipped out his knife and cut the dog loose. “Don’t stan’ starin’ there like Betty’s chiner doll, go git another of my pies.”.
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