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Yet selfish is hardly the word to apply to Jack Rodney, because at heart he is kindly and affectionate, and, if a little heedless and indifferent, is still good au fond. He is light hearted and agreeable, and singularly hopeful:— For a moment her Grace hesitates, then is lost. It is to her a new sensation to be taken about by a young woman to see things. Up to this, it has been she who has taken the young women about to see things. But Mona is so openly and genuinely anxious to bestow a favor upon her to do her, in fact, a good turn, that she is subdued, sweetened, nay, almost flattered, by this artless desire to please her for "love's sake" alone. He turns to her again..

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"What are you talking about?" asks Geoffrey, joining Mona and her companion. "Law, Miss Mona, ye needn't tell me; sure I'm flyin' I'll be there an' back before ye'll know I'm gone." This from the agile Biddy, as (exhilarated with the knowledge that she is going to see a corpse) she rushes up the road. "Has it?" says Rodney, fiercely. "Then I'll make the most of it," and before the other can find time to fire he flings himself upon him, and grasps his throat with murderous force. "You will come first and see Philippa?" she says, in a slow peculiar tone that sounds as if it had been dug up and is quite an antique in its own way. It savors of dust and feudal days. Every one says he or she will be delighted, and all try to look as if the entire hope of their existence is centred in the thought that they shall soon lay longing eyes on Philippa,—whose name in reality is Anne, but who has been rechristened by her enterprising sister. Anne is all very well for everyday life, or for Bluebeard's sister-in-law; but Philippa is art of the very highest description. So Philippa she is, poor soul, whether she likes it or not..