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Enjoying the spectacle, Henry the pet rooster stood on the rail-fence crowing lustily in chanticleer derision. In a moment the obliging boy’s head was surmounted by an empty tomato can, and under the aegis of “Whacker Brand” he became attendant to the circus manageress. Thus helmeted he stood and gazed at Betty as though the hinges of his jaw were loosening. She took a step, but he caught her hand. “I don’t care if I am, he mustn’t see—no one must,—I didn’t mean you should. Besides, I walked home and brought my wheel; I’ll live, I guess,—I’m too mean to kill.” He put his stiff, swollen hand over his face. “It’s Jimmy that’s in danger.” A new note of terror came into his voice as he remembered the pale face and limp arm; he had never seen a fighting boy look so before. “I’m afraid Jimmy’s hurt inside, mother. What if he should die?” The orchestra were tuning up, that delightful tilting at the notes that precedes the overture. To Moses were revealed such vistaed glimpses of trees and mountains and rivers as his young eyes had never seen. He saw nothing but the gorgeous scenery and the blaze of lights, and heard nothing but the booming of the drum in the overture. Then becoming more used to the glare and clamor, he cocked one eye aloft and saw youths of his own age eating peanuts in the gallery. It made his mouth water. He surveyed the obnoxious offenders however with the nonchalance of one who has already dined sumptuously. Outwardly Moses was an overgrown, freckle-faced, well-fed boy of commonplace propensities; inwardly he was a battery fully charged..