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"Oh, you have him!" says Mona, with a beaming smile, that is not reciprocated by the captured turkey. "Hold him tight: you have no idea how artful he is. Sure I knew you'd get him, if any one could!" It is a very curious little room they enter,—yet pretty, withal, and suggestive of care and affection, and certainly not one to be laughed at. Each object that meets the view seems replete with pleasurable memory,—seems part of its gentle mistress. There are two windows, small, and with diamond panes like the parlor, and in the far end is a piano. There are books, and some ornaments, and a huge bowl of sweetly-smelling flowers on the centre-table, and a bracket or two against the walls. Some loose music is lying on a chair. "Tell us, Jenkins," says Nicholas, hastily..

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Mona, sitting down to the piano, plays a few chords in a slow, plaintive fashion, and then begins. Paul Rodney has come to the doorway, and is standing there gazing at her, though she knows it not. The ballroom is far distant, so far that the sound of the band does not break upon the silence of the room in which they are assembled. A hush falls upon the listeners as Mona's fresh, pathetic, tender voice rises into the air. "Why not? You will go there, perhaps when you are married." Once, a long time ago, the antelope and the deer happened to meet on the prairie. They spoke together, giving each other the news, each telling what he had seen and done. After they had talked for a time the antelope told the deer how fast he could run, and the deer said that he could run fast too, and before long each began to say that he could run faster than the other. So they agreed that they would have a race to decide which could run the faster, and on this race they bet their galls. When they started, the antelope ran ahead of the deer from the very start and won the race and so took the deer's gall. When the young man got there, the badger was in his hole. But Scarface called to him, "Oh, cunning striped face! I wish to speak with you.".