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"Phew! That's great!" cried Patricia, springing lightly to her feet. "It's more like flying than anything else." "He was awfully nice," said Patricia enthusiastically. "Architects are so much better scrubbed than art students. He has lovely hair, too. He's tremendously fond of Miriam Halden, did you notice?" Elinor smiled. "I only started this afternoon while you were in class," she replied, bringing out a fair-sized canvas with a rough charcoal drawing on it. "I'm just blocking in the outlines, as you see; but I've made a little color study that shows you how it will go.".

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"I had my reasons for not doing so, Mrs. Dallas," replied Maurice, quickly. "But I was about to tell you of our engagement when Dr. Etwald forestalled me by making his unexpected offer." Once on the impromptu platform, Patricia's embarrassment dropped from her, and she smiled a ready acknowledgment to the shouts that demanded a dozen different songs at once. Judith tossed her mane. "Don't call names," she responded, hiding the gratified smile that lurked in the corners of her mouth. "You'd think of things, too, if you didn't talk quite so much, Miss Pat. It's dreadfully hard to talk and think at the same time." Elinor hesitated. "I don't know," she replied slowly, measuring her words. "I can't put my finger on it, but she doesn't seem the same to me as she did at first. She isn't jealous of my poor work, of course, but I can feel a something—a wall or barrier—that she raises up between us whenever my work is spoken of. I felt it when we talked about the subject of the prize designs, and I felt it today more clearly than ever. We can't be friends any more as we were, I'm afraid. Something has come between us. 'The little rift within the lute,'" she quoted sorrowfully..