Phillips was still abroad with the Army of Occupation. He had tried to get out of it, but had not succeeded. He held it to be gaoler’s work; and the sight of the starving populace was stirring in him a fierce anger. Joan was not in a comprehending mood.!

The second was a clumsy-looking, overdressed woman whom Miss Lavery introduced as “Mrs. Phillips, a very dear friend of mine, who is going to be helpful to us all,” adding in a hurried aside to Madge, “I simply had to bring her. Will explain to you another time.” An apology certainly seemed to be needed. The woman was absurdly out of her place. She stood there panting and slightly perspiring. She was short and fat, with dyed hair. As a girl she had possibly been pretty in a dimpled, giggling sort of way. Joan judged her, in spite of her complexion, to be about forty. Joan laughed. “I’m a drummer boy,” she answered. “I beat my drum each week in a Sunday newspaper, hoping the lads will follow.”

Mrs. Denton’s friends called upon her, and most of them invited her to their houses. A few were politicians, senators or ministers. Others were bankers, heads of business houses, literary men and women. There were also a few quiet folk with names that were historical. They all thought that war between France and England would be a world disaster, but were not very hopeful of averting it. She learnt that Carleton was in Berlin trying to secure possession of a well-known German daily that happened at the moment to be in low water. He was working for an alliance between Germany and England. In France, the Royalists had come to an understanding with the Clericals, and both were evidently making ready to throw in their lot with the war-mongers, hoping that out of the troubled waters the fish would come their way. Of course everything depended on the people. If the people only knew it! But they didn’t. They stood about in puzzled flocks, like sheep, wondering which way the newspaper dog was going to hound them. They took her to the great music halls. Every allusion to war was greeted with rapturous applause. The Marseillaise was demanded and encored till the orchestra rebelled from sheer exhaustion. Joan’s patience was sorely tested. She had to listen with impassive face to coarse jests and brutal gibes directed against England and everything English; to sit unmoved while the vast audience rocked with laughter at senseless caricatures of supposed English soldiers whose knees always gave way at the sight of a French uniform. Even in the eyes of her courteous hosts, Joan’s quick glance would occasionally detect a curious glint. The fools! Had they never heard of Waterloo and Trafalgar? Even if their memories might be excused for forgetting Crecy and Poictiers and the campaigns of Marlborough. One evening—it had been a particularly trying one for Joan—there stepped upon the stage a wooden-looking man in a kilt with bagpipes under his arm. How he had got himself into the programme Joan could not understand. Managerial watchfulness must have gone to sleep for once. He played Scotch melodies, and the Parisians liked them, and when he had finished they called him back. Joan and her friends occupied a box close to the stage. The wooden-looking Scot glanced up at her, and their eyes met. And as the applause died down there rose the first low warning strains of the Pibroch. Joan sat up in her chair and her lips parted. The savage music quickened. It shrilled and skrealed. The blood came surging through her veins. He ceased speaking. No one seemed inclined to break the silence. One topic that never lost its interest was: Who made wars? Who hounded the people into them, and kept them there, tearing at one another’s throats? They never settled it.