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"How brilliant the moonlight is to-night! See—watch"—eagerly—"how the shadows chase each other down the Ranger's Hill!" "But, Geoffrey, why should I be cold to your mother? Sure you wouldn't have me be uncivil to her, of all people?" "To my forehead?" says Mona, puzzled; and then she glances at Geoffrey, remembering that this was one of the slight variations with which he adorned his tale..

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It is Mona's laugh. Raising their eyes, both mother and son turn their heads hastily (and quite involuntarily) and gaze upon the scene beyond. They are so situated that they can see into the curtained chamber and mark the picture it contains. The duke is bending over Mona in a manner that might perhaps be termed by an outsider slightly empresse, and Mona is looking up at him, and both are laughing gayly,—Mona with all the freshness of unchecked youth, the duke with such a thorough and wholesome sense of enjoyment as he has not known for years. "We are none of us infallible," says Rodney, in a curious tone, and speaking as if with difficulty. "You see, even you erred. Though I am neither burglar nor blackguard, I, too enjoy a walk at midnight." It is early morn. "The first low breath of waking day stirs the wide air." On bush and tree and opening flower the dew lies heavily, like diamonds glistening in the light of the round sun. Thin clouds of pearly haze float slowly o'er the sky to meet its rays; and There are no windows; but in their place are four unpleasant slits about two yards in length, let into the thick walls at studiously unequal distances. These are filled up with an opaque substance that perhaps in the Middle Ages was called glass..