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“As the door creaketh on his hinges, so the slugger turneth on his bed.” Liza Wopp’s voice was compelling in its significance. Through the rose-lit dreams of Moses, the sound and the awful words were like the threatenings of an approaching storm., Mrs. Wopp surmised from the dejected appearance of the young rancher, coupled with the smiles over the footlights which she had observed with rising wrath, that trouble was brewing, and she whispered audibly to herself, “A musician’s orl right on a pianner stool, but when it comes to gittin’ up in the mornin’ an’ choppin’ wood to bile the kettle give me a farmer.” Her cogitations became louder. “I s’pose he thinks cos he has a percession of carpital letters arter his name he can git anyone fer the arskin’. When he smiled so at our Miss Gordon I could of slain him with the jawrbone of an arss.” In her championship of Howard’s interests, Mrs. Wopp became an ardent villifier of the pianist and she administered an oral castigation with feminine vigor., When brother and sister left her, strange thoughts flitted through her head. She heard Mrs. Bennett beating eggs in the kitchen; saw the logs Billy had piled in the wood-box. On the wall above the piano hung Edith’s schedule—time table, Billy called it. May Nell had already studied it, had seen the fifty or more lessons set for each week; and needlework on the music table, and books there the child had discovered were for music study,—these told her what a busy woman Billy’s sister must be..