"The shilling's my shilling," said Mrs. Gereth. She passed out of the door that opened toward the village and met a great acrid gust. She heard a far-off windy roar which, in her dismay, she took for that of flames a mile away, and which, the first instant, acted upon her as a wild solicitation. "I must go there." She had scarcely spoken before the same omen had changed into an appalling check.!

CHAPTER VI The ring of his question made his anger at Mona almost resemble for a minute an anger at Fleda; and this resemblance in turn caused our young lady to observe how handsome he looked when he spoke, for the first time in her hearing, with that degree of heat, and used, also for the first time, such a term as "perpetrated." In addition, his challenge rendered still more vivid to her the mere flimsiness of her own aid. "Yes, you've been perfect," she said. "You've had a most difficult part. You've had to show tact and patience, as well as firmness, with your mother, and you've strikingly shown them. It's I who, quite unintentionally, have deceived you. I haven't helped you at all to your remedy."

Fleda had to declare that she certainly didn't, and that Waterbath had been a warning it would be frivolous to overlook. At the same time she privately reflected that they were taking a great deal for granted, and that, inasmuch as to her knowledge Owen Gereth had positively denied his betrothal, the ground of their speculations was by no means firm. It seemed to our young lady that in a difficult position Owen conducted himself with some natural art; treating this domesticated confidant of his mother's wrongs with a simple civility that almost troubled her conscience, so deeply she felt that she might have had for him the air of siding with that lady against him. She wondered if he would ever know how little really she did this, and that she was there, since Mrs. Gereth had insisted, not to betray, but essentially to confirm and protect. The fact that his mother disliked Mona Brigstock might have made him dislike the object of her preference, and it was detestable to Fleda to remember that she might have appeared to him to offer herself as an exemplary contrast. It was clear enough, however, that the happy youth had no more sense for a motive than a deaf man for a tune, a limitation by which, after all, she could gain as well as lose. He came and went very freely on the business with which London abundantly furnished him, but he found time more than once to say to her, "It's awfully nice of you to look after poor Mummy." As well as his quick speech, which shyness made obscure—it was usually as desperate as a "rush" at some violent game—his child's eyes in his man's face put it to her that, you know, this really meant a good deal for him and that he hoped she would stay on. With a person in the house who, like herself, was clever, poor Mummy was conveniently occupied; and Fleda found a beauty in the candor and even in the modesty which apparently kept him from suspecting that two such wiseheads could possibly be occupied with Owen Gereth. "I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed. "If there were more there would be too many to convey the impression in which half the beauty resides—the impression, somehow, of something dreamed and missed, something reduced, relinquished, resigned: the poetry, as it were, of something sensibly gone." Fleda ingeniously and triumphantly worked it out. "Ah, there's something here that will never be in the inventory!"