“It is breakfast time,” he explained, as they emerged into the air. “We leave each other alone for half an hour—even the snipers. But we must be careful.” She followed in his footsteps, stooping so low that her hands could have touched the ground. They had to be sure that they did not step off the narrow track marked with white stones, lest they should be drowned in the mud. They passed the head of a dead horse. It looked as if it had been cut off and laid there; the body was below it in the mud. He led the way to the piano. “Tell Madge I want her,” he whispered. He struck a few notes; and then in a voice that drowned every other sound in the room, struck up a comic song.!

“Much as Rome took Savonarola,” thought Madge. “Then it’s settled,” he said. “We must save her.”

And yet was it altogether a dead truth: this passionate belief in a personal God who had ordered all things for the best: who could be appealed to for comfort, for help? Might it not be as good an explanation as any other of the mystery surrounding us? It had been so universal. She was not sure where, but somewhere she had come across an analogy that had strongly impressed her. “The fact that a man feels thirsty—though at the time he may be wandering through the Desert of Sahara—proves that somewhere in the world there is water.” Might not the success of Christianity in responding to human needs be evidence in its favour? The Love of God, the Fellowship of the Holy Ghost, the Grace of Our Lord Jesus Christ. Were not all human needs provided for in that one comprehensive promise: the desperate need of man to be convinced that behind all the seeming muddle was a loving hand guiding towards good; the need of the soul in its loneliness for fellowship, for strengthening; the need of man in his weakness for the kindly grace of human sympathy, of human example. “Your mother’s,” he answered. “I built them the year I came back from America and gave them to her. I thought it would interest her. Perhaps it would, if I had left her to her own ways.” The other was a young priest. He wore the regulation Red Cross uniform, but kept his cassock hanging on a peg behind his bed. He had pretty frequent occasion to take it down. These small emergency hospitals, within range of the guns, were reserved for only dangerous cases: men whose wounds would not permit of their being carried further; and there never was much more than a sporting chance of saving them. They were always glad to find there was a priest among the staff. Often it was the first question they would ask on being lifted out of the ambulance. Even those who professed to no religion seemed comforted by the idea. He went by the title of “Monsieur le Prêtre:” Joan never learned his name. It was he who had laid out the little cemetery on the opposite side of the village street. It had once been an orchard, and some of the trees were still standing. In the centre, rising out of a pile of rockwork, he had placed a crucifix that had been found upon the roadside and had surrounded it with flowers. It formed the one bright spot of colour in the village; and at night time, when all other sounds were hushed, the iron wreaths upon its little crosses, swaying against one another in the wind, would make a low, clear, tinkling music. Joan would sometimes lie awake listening to it. In some way she could not explain it always brought the thought of children to her mind.