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"Yes, I recollect; they are from the 'Winter's Tale.' I think," says Mona, shyly; "but you say too much for me." "Weary me! no, indeed. That is one of the very few unkind things you have ever said to me. How could I weary of your voice? Go on; tell me where you keep this magical piano." When she is gone, Geoffrey walks impatiently up and down the small hall, conflicting emotions robbing him of the serenity that usually attends his footsteps. He is happy, yet full of a secret gnawing uneasiness that weighs upon him daily, hourly. Near Mona—when in her presence—a gladness that amounts almost to perfect happiness is his; apart from her is unrest. Love, although he is but just awakening to the fact, has laid his chubby hands upon him, and now holds him in thrall; so that no longer for him is that most desirable thing content,—which means indifference. Rather is he melancholy now and then, and inclined to look on life apart from Mona as a doubtful good..
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He has stooped very much over indeed. His hand is on the fern; he has safely carefully extracted it, roots and all (one would think I was speaking of a tooth! but this is by the way), from its native home, when cr-r-k goes something; the branch on which he rests betrays him, and smashing hurls him head downwards into the swift but shallow stream below. "When he was tired of staring, he said, 'I suppose I am speaking to——' and then he stopped. 'Mrs. Rodney,' replied I; and then he raised his hat, and bowed, and gave me his card. After that he mounted again, and rode away." "It wasn't the train so much," says Doatie, with a merry laugh, "as Nolly: we weren't any time coming, because he got out and took the reins from Hewson, and after that I rather think he took it out of your bays, Nicholas." "It is the sweetest thing that could have happened," says Dorothy, enthusiastically. "Now Mona and you and I will be real sisters.".
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