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"Wait, Mrs. Rodney. Let me help you across." "To what part of Ireland?" "And mine is Mona Scully," returns she, with the smile that seems part of her lips, and which already has engraven itself on Mr. Rodney's heart. "Now, I suppose, we know each other.".

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Soon they heard another person shouting out the feast call, and, going, they entered the lodge of the chief of the Kit-Foxes (Sĭn´-o-pah). Here, too, old men had gathered. After they had eaten of the food set before them, the chief said, "Those among whom you have just come are generous. They do not look carefully at the things they have, but give to the stranger and pity the poor. The kit-fox is a little animal, but what one is smarter? None. His hair is like the dead grass of the prairie; his eyes are keen; his feet make no noise when he walks; his brain is cunning. His ears receive the far-off sound. Here is our medicine. Take it." He gave the man the stick. It was long, crooked at one end, wound with fur, and tied here and there with eagle feathers. At the end was a kit-fox skin. Again the chief spoke and said, "Listen to our song. Do not forget it, and the dance, too, you must remember. When you reach home teach them to the people." He sang and danced. Then presently his guests departed. Slowly he draws from his pocket a paper, folded neatly, that looks like some old parchment. Mona draws her breath quickly, and turns first crimson with emotion, then pale as death. Opening it at a certain page, he points out to her the signature of George Rodney, the old baronet. When she has finished, Geoffrey says "thank you" in a low tone. He is thinking of the last time when some one else sang to him, and of how different the whole scene was from this. It was at the Towers, and the hour with its dying daylight, rises before him. The subdued light of the summer eve, the open window, the perfume of the drowsy flowers, the girl at the piano with her small drooping head and her perfectly trained and very pretty voice, the room, the soft silence, his mother leaning back in her crimson velvet chair, beating time to the music with her long jewelled, fingers,—all is remembered. "Now I hope you will feel less pain," she says, with modest triumph..