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"I shall not be too nervous," says Mona, but her face blanches afresh even as she speaks; and Geoffrey sees it. Mona, who has blushed rosy red at his kiss, is now beaming on her lover, and has drawn back her skirts to admit of his coming a little closer to her. He is not slow to avail himself of this invitation, and is now sitting with his arm thrown across the back of the wooden chair that holds Mona, and with eyes full of heartfelt gladness fixed upon her. "Well, on the principle that fine feathers make fine birds, I suppose they do," acknowledges Geoffrey, reluctantly..
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It strikes Geoffrey as part of the innate sweetness and genuineness of her disposition that, after all the many changes of thought that have passed through her brain on their return journey, her first concern on entering her own doors is for the poor unhappy creature in the cabin up yonder. The buffalo showed the man and his daughter their dance and taught them the songs, and then the bull said to them, "Now you are to go back to your home, but do not forget what you have seen. Teach the people this dance and these songs, and while they are dancing it let them wear a bull's head and a robe. Those who are to be of the Bulls Society shall wear them." "Show Mr. Rodney in here, Bridget," says Mona unflinchingly, not looking at the distressed maid, or indeed at anything but the unobservant butter. And Bridget, with a sigh that strongly resembles the snort of a war-horse, ushers Mr. Rodney into the dairy. "Mona, are you still there?" he says, with a return to consciousness: "did I dream, or did my father speak to me? How the night comes on!" He sighs wearily. "I am so tired,—so worn out: if I could only sleep!" he murmurs, faintly..
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