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Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them., Diligently as Betty had tended this little garden, it was considered to be a family possession, the child’s own particular treasures lying beyond its fragrant border. Her cherished morning-glories and climbing nasturtiums found a welcome support in the old wooden fence., “This is a xylophone, take this little wooden hammer and play a few notes.” Moses took the hammer held out to him and striking a wooden bar brought out a weird but sweet sound. He struck several bars in succession and was enraptured to find that they produced a sort of veiled silvery music. “Sounds like the moon looks when you carnt see it fer clouds,” he mused, “Mar thinks I’d make a moosican, mebbe she’s right.”.