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He looked at the beaming faces, at the beautiful table with Jean’s great pagoda cake in the centre, the dates, 1893-1906, in evergreen; at the flowers everywhere; at the dishes,—they usually ate from vine leaves at their out-of-door feasts,—at the paper napkins folded fantastically and hovering over the table like gay butterflies. His eloquent face told his surprise, his gratitude, his delight. He opened his mouth to speak some fitting word, but it wouldn’t come. He tried again, for he felt the occasion called for something formally appreciative. But only a whimsical idea flitted into his mind; and he sang back—,

The band struck up and, intoxicated with the rhythm of the music, Moses skated as he had never done before. At first an object of amusement to the city boys he became the centre of an admiring throng. His spirals and figure eight’s were such as to call forth envious remarks. Even Clarence Egerton Crump thawed and admitted to several school mates that Moses Wopp was a pretty solid pal, only a bit gawky in his get-up.,

“Must of warlked in when I left a jint outside fer a minute. She shore is a dark complected bird now.” As Moses spoke he stretched out his arm for the sooty Tillie, but with an indignant cackle the hen tore through the dining-room into the kitchen with Moses and Betty in hot pursuit.,

“Come home to dinner with me, Mr. Zalhambra, you’ll p’raps find some folks there that will appreciate the dope you hand out.”

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He arrived home Monday evening, and was received as though a visit of several months’ duration had torn him from the bosom of the family.,

In the matter of the next adventure, Moses’ feet were fast approaching that degree known as freezing point. But spurred on by the resolute will of his sister he rose to the occasion of a chariot race, adapted from “Ben Hur.” They had never forgotten the thrill they had experienced when one day at Mrs. Mifsud’s house the nephew of that good lady, with city-bred art, had recited in melodramatic fashion “Ben Hur’s Chariot Race.”,

CHAPTER V.—A DANCE IN THE CEDAR HILLS.,

An enlarged crayon portrait in a wide gilt frame of Moses as a baby in a state of round cherubic innocent nudity, had been added recently to the mural decorations and was especially well covered with cloths.