Mr. Simson considered. There came a softer look into his eyes. “How did you do it last time?” he asked. “It came up brown, I remember, with thick gravy.” “Do you remember that day, my dear,” she said, “when we went furnishing together. And I would have all the wrong things. And you let me.”!

The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another. He was silent for a few moments, and then he leant across and took her hands in his.

He led the way to the piano. “Tell Madge I want her,” he whispered. He struck a few notes; and then in a voice that drowned every other sound in the room, struck up a comic song. “It’s all right,” answered Madge. “She doesn’t really want our opinion of him—or rather she doesn’t want our real opinion of him. She only wants us to confirm hers. She’s engaged to him.” It would mean his getting out quickly. He seemed quite eager to be gone.