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“Moses!” called husband and wife, simultaneously. Mrs. Wopp’s voice spanned an interval of about a dozen semi-tones, and as it always grew in volume in direct ratio to the emergency of the duty to be imposed, the last syllable of her son’s name fell on that wretched boy’s ear like a clap of thunder. Mr. Wopp’s accents remained on nearly all occasions at the same even degree of meekness. Nature had not given him the temperament to indulge in crescendos or double fortes., The pianist took a long look at Nell who had been visibly affected by his playing. Misgivings that date back to Eden were leaping into life in his breast. He had been in love more times than he could count, but here was the girl after all. He began a Scherzo of his own composition. Youth gathering flowers at the open mouth of a volcano. The melody was born to live forever. He was a genius. Now Nell knew it and her soul worshipped genius. Howard Eliot was far from her thoughts as she listened to the enchanting chain of melodies that poured forth., Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother..