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"Well, I rather think he has Violet on his mind. Did you ever see anything so spooney as they looked all through dinner yesterday and luncheon to-day? I didn't think it was in Violet." "No; he was not a draper," says Mona, gently, and without haste. "What a wretched evening!" says Violet, with a little shiver. "Geoffrey, draw the curtains closer.".

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"You speak as one might who has no aim in life, says Mona, looking at him with sincere pity. When Mona looks piteous she is at her best. Her eyes grow large, her sweet lips tremulous, her whole face pathetic. The role suits her. Rodney's heart begins to beat with dangerous rapidity. It is quite on the cards that a man of his reckless, untrained, dare-devil disposition should fall madly in love with a woman sans peur et sans reproche. Mona tries to say something,—anything that will be kind and sympathetic,—but words fail her. Her lips part, but no sound escapes them. The terrible reality of the moment terrifies and overcomes her. "She has reason," says the old man, earnestly and approvingly, rounding his sentence after the French fashion, as the Irish so often will: "she has said it," he goes on, "she always does say it; she has brains, has my colleen. Ye don't stir out of this house to-night, Mr. Rodney; so make up yer mind to it. With Tim Ryan abroad, an' probably picked up and carried home by this time, the counthry will be all abroad, an' no safe thravellin' for man or baste. Here's a cosey sate for ye by the fire: sit down, lad, an' take life aisy." "It is like a romaunt of the earlier and purer days of chivalry," goes on Lady Lilias, in her most prosy tone. "Alas! where are they now?" She pauses for an answer to this difficult question, being in her very loftiest strain of high art depression..