She was absent from luncheon, where indeed Fleda had enough to do to look Owen in the face; there would be so much to make that hateful in their common memory of the passage in which his last visit had terminated. This had been her apprehension at least; but as soon as he stood there she was constrained to wonder at the practical simplicity of the ordeal—a simplicity which was really just his own simplicity, the particular thing that, for Fleda Vetch, some other things of course aiding, made almost any direct relation with him pleasant. He had neither wit, nor tact, nor inspiration: all she could say was that when they were together the alienation these charms were usually depended on to allay didn't occur. On this occasion, for instance, he did so much better than "carry off" an awkward remembrance: he simply didn't have it. He had clean forgotten that she was the girl his mother would have fobbed off on him; he was conscious only that she was there in a manner for service—conscious of the dumb instinct that from the first had made him regard her not as complicating his intercourse with that personage, but as simplifying it. Fleda found beautiful that this theory should have survived the incident of the other day; found exquisite that whereas she was conscious, through faint reverberations, that for her kind little circle at large, whom it didn't concern, her tendency had begun to define itself as parasitical, this strong young man, who had a right to judge and even a reason to loathe her, didn't judge and didn't loathe, let her down gently, treated her as if she pleased him, and in fact evidently liked her to be just where she was. She asked herself what he did when Mona denounced her, and the only answer to the question was that perhaps Mona didn't denounce her. If Mona was inarticulate he wasn't such a fool, then, to marry her. That he was glad Fleda was there was at any rate sufficiently shown by the domestic familiarity with which he said to her: "I must tell you I've been having an awful row with my mother. I'm engaged to be married to Miss Brigstock." "I'm very, very tired." Mrs. Gereth's slow head-shake was tragic. "I couldn't do it again."!

This made his companion thoughtful again. "Can you take such pleasure in her being 'finished'—a poor girl you've once loved?" "Well," said Mrs. Gereth profoundly, "it will be clear enough that Mona has."

"The old things?" Fleda considered again. "It will do no good of any sort to anything or any one. That's another question I would rather we shouldn't discuss, please," she gently added. Owen held her hand very firmly and kept it even after an effort made by her to recover it—an effort not repeated, as she felt it best not to show she was flurried. That solution—of her living with him at Ricks—disposed of him beautifully, and disposed not less so of herself; it disposed admirably too of Mrs. Gereth. Fleda could only vainly wonder how it provided for poor Mona. While he looked at her, grasping her hand, she felt that now indeed she was paying for his mother's extravagance at Poynton—the vividness of that lady's public plea that little Fleda Vetch was the person to insure the general peace. It was to that vividness poor Owen had come back, and if Mrs. Gereth had had more discretion little Fleda Vetch wouldn't have been in a predicament. She saw that Owen had at this moment his sharpest necessity of speech, and so long as he didn't release her hand she could only submit to him. Her defense would be perhaps to look blank and hard; so she looked as blank and as hard as she could, with the reward of an immediate sense that this was not a bit what he wanted. It even made him hang fire, as if he were suddenly ashamed of himself, were recalled to some idea of duty and of honor. Yet he none the less brought it out. "There's one thing I dare say I ought to tell you, if you're going so kindly to act for me; though of course you'll see for yourself it's a thing it won't do to tell her." What was it? He made her wait for it again, and while she waited, under firm coercion, she had the extraordinary impression that Owen's simplicity was in eclipse. His natural honesty was like the scent of a flower, and she felt at this moment as if her nose had been brushed by the bloom without the odor. The allusion was undoubtedly to his mother; and was not what he meant about the matter in question the opposite of what he said—that it just would do to tell her? It would have been the first time he had said the opposite of what he meant, and there was certainly a fascination in the phenomenon, as well as a challenge to suspense in the ambiguity. "It's just that I understand from Mona, you know," he stammered; "it's just that she has made no bones about bringing home to me—" He tried to laugh, and in the effort he faltered again. These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!"