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At last, one day, Old Man decided that he would make a woman and a child, and he modelled some clay in human shape, and after he had made these shapes and put them on the ground, he said to the clay, "You shall be people." He spread his robe over the clay figures and went away. The next morning he went back to the place and lifted up the robe, and saw that the clay shapes had changed a little. When he looked at them the next morning, they had changed still more; and when on the fourth day he went to the place and took off the covering, he said to the images, "Stand up and walk," and they did so. They walked down to the river with him who had made them, and he told them his name. "Why, Jack and Violet, of course. They've had it out. They are engaged!" "It is insupportable such an insinuation," says the lively Doatie. "Violet, Mona's cause is ours: what shall we do with him?".
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Conrad
"Well, but is that altogether a falsehood? Pigs and smoke and live fowls and babies are, I am convinced, good things in their own way and when well at a distance. But, under the roof with one and in an apartment a few feet square, I don't think I seem to care about them, and I'm sure they can't tend towards cleanliness." The stories about this Old Man are told by the Blackfeet for entertainment rather than with any serious purpose, and when that part of the story is reached where Old Man is in some difficulty which he cannot get out of, the man who is telling the story, and those who are listening to it, laugh delightedly. "There is too much to forgive," says Lady Rodney, and as she speaks two tears roll down her cheeks. This evidence of emotion from her is worth a torrent from another. Now he takes advantage of this general permission, and closes them with a soft caress..
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