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“Ebenezer Wopp, no wonder you talk sich ridicilsome nonsense in yer sleep, eatin’ cheese at night. It’s ’nough to make you dream of boer-constructors.” “Don’t Betty look jist too sweet,” she murmured when she had finally located the child, “Her hair looks as ef she had got tangled up in the milky way an’ there was nothin’ on it but star-dust.” At this juncture there was a knock at the door. It was Howard Eliot who had called for Nell..

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At the close of the act, in the far, high distance, the Goddess, Flora, appeared on a hill-crest. This was Edith herself, arrayed in a filmy gown of pale green, garlanded with snow-drops and buttercups. High, far, and faint came her song of the dawn of Spring. But the gnomes and the elves, Storm, Wind, Frost, and Rain, roared and howled; and Flora, affrighted, fled from view. Nell looked toward the morning-glory garden and there she saw Betty kneeling in the moonlight. Jethro was sitting up on his hind legs beside the little figure, holding his paws before him. The moonlight fell on his penitential white body, on the stiff braids of the sorrowful and contrite Betty, and lighted up the bright yellow nasturtiums that filled the air with their pungent odor. The morning-glory leaves gleamed in the pure white light. Awakened to the fact of her son’s existence and perhaps as an antidote to her unusual display of sentiment, Mrs. Wopp spoke rather sharply. “Moses, time you an’ Betty was in bed. You won’t want to git up in the mornin’ an’ milk the cows.” Later left alone in the lower part of the house she stood arms akimbo in the middle of the kitchen gazing at the door through which Nell Gordon had just departed. Shaking her head she said mysteriously, “I kalkerlate as how things is a-settin’ in that way.” “Kinder rocky.”.