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"When you gain your point and find yourself master here, you will know you have made not only one, but many people miserable.",

She says it all quite simply, with a smile, and a quick blush that arises merely from the effort of having to explain, not from the explanation itself. There is not a touch of malice in her soft eyes or on her parted lips.,

For an instant Rodney turns his eyes on her, and then goes back to his sneering examination of Geoffrey. Between them the two dogs still lie, quiet but eager.,

But the deer began to grumble and said, "Well, it is true that out here on the prairie you have beaten me, but this is not where I live. I only come out here once in a while to feed or to cross the prairie when I am going somewhere. It would be fairer if we had a race in the timber. That is my home, and there I can run faster than you. I am sure of it."

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These last advance in a leisurely manner up the room, yet with somewhat of the sneaking air of those who are in the possession of embarrassing news that must be told before much time goes by. The thought of this perhaps deadens their perception and makes them blind to the fact that the others are unnaturally quiet.,

"You're a nice boy, you are!" says Mr. Rodney; "Here, give me the bag! Perhaps you would like me to carry you too; but I shan't, so you needn't ask me. Are you hungry?",

Then his daughter mourned in sorrow. "Oh! Ah! Ni-nah-ah! Oh! Ah! Ni-nah-ah!"—Ah, my father, my father.,

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.