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Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers.,
“WILLIAM TELL.,
“I’m chored from mornin’ till night, an’ arfter I go to sleep I do some more chorin’ jist to keep my hand in.” Moses was in a distinctly peevish mood.,
The service began and was proceeding with its accustomed smoothness and decorum when a most unseemly interruption occurred. Maria Mifsud had long entertained suspicions that all was not well with the interior of the organ. Lately a few of the notes had refused to make a sound, and to-day there seemed to be more of these delinquents than ever. While Mr. Bliggins was collecting the offering Maria began to play a voluntary carefully practised beforehand. She had fairly launched into “One Sweetly Solemn Thought” when suddenly she discerned peering curiously at her through one of the round holes which adorn the front of the instrument the small bright eye of a mouse. The intruder was apparently quite calm and self-possessed. Not so Maria. With a piercing shriek she jumped from the organ stool and rushing to the back of the church leaped wildly to the seat beside her scandalized and uncomprehending mother. Almost at the same moment the offending mouse scampered down the internal anatomy of the organ and gained freedom through an exit beside the pedals. Mr. Wells turned crimson and stood on one foot. Most of the ladies of the congregation drew their feet up on the seat beside them. The mouse ran furiously along the sacred aisles of the church.
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“White eyebrows child! What are you talkin’ about? Yer eyebrows are blacker nor that stove.”,
“Don’t go off Mr. Potter’s land, will you, May Nell? The fenced part, I mean. Eat some lunch soon; Billy may be gone an hour longer. Good-bye. Don’t get too tired. I’ll send Clarence if I can find him.”,
LITTLE by little they learned something of May Nell’s story. Her mother had intended to start for New York on the morning of the earthquake, having been called there by her own mother’s illness. Mrs. Smith, though held to the last by household business, had let her little daughter go to visit a widowed aunt and cousin, who lived in a down-town hotel, and who were to bring May Nell to meet her mother at the Ferry Building the next morning. But where at night had stood the hotel with its many human lives housed within, the next morning’s sunshine fell upon a heap of ruins burning fiercely. A stranger rescued May Nell, though her aunt and cousin had to be left behind, pinned to their fiery death.,
On the morrow, before returning home, he made several purchases with the money his mother had slipped into his hand as she whispered, “Hev a good time, Mosey, but don’t fergit to say yer prayers reglar.”
“The fleetin’ of youth is most sartin,” answered his wife, coining this epigram on the shortness of life’s spring-time, and sighing as she spoke. The good lady herself was looking through a stereoscope at some views and finding one of Niagara Falls she endeavored to cheer her despondent husband.
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“Billy! Who could steal our little girl? I cannot think it. She’s gone with some of the children to watch the fire.” Mrs. Bennett’s words were braver than her face, for in her heart she felt Billy was right, though she wondered why.
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“Betty, play us a toon,” requested Mr. Wopp who was very fond of music.
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“Arsk a dorg with a tin pail tied to his ear to smile at yer,” returned Moses, sourly.
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>“We can play the first canto, ‘The Chase,’ across the river in the Sunol Creek canyon,” Billy explained, eagerly.
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