It struck her that he was relieved. He gave the man the address, speaking hurriedly, and jumped in. She had not meant to stay for the service. The door had stood invitingly open, and a glimpse of the interior had suggested to her the idea that it would make good copy. “Old London Churches: Their Social and Historical Associations.” It would be easy to collect anecdotes of the famous people who had attended them. She might fix up a series for one of the religious papers. It promised quite exceptional material, this particular specimen, rich in tombs and monuments. There was character about it, a scent of bygone days. She pictured the vanished congregations in their powdered wigs and stiff brocades. How picturesque must have been the marriages that had taken place there, say in the reign of Queen Anne or of the early Georges. The church would have been ancient even then. With its air of faded grandeur, its sculptured recesses and dark niches, the tattered banners hanging from its roof, it must have made an admirable background. Perhaps an historical novel in the Thackeray vein? She could see her heroine walking up the aisle on the arm of her proud old soldier father. Later on, when her journalistic position was more established, she might think of it. It was still quite early. There would be nearly half an hour before the first worshippers would be likely to arrive: just time enough to jot down a few notes. If she did ever take to literature it would be the realistic school, she felt, that would appeal to her. The rest, too, would be pleasant after her long walk from Westminster. She would find a secluded seat in one of the high, stiff pews, and let the atmosphere of the place sink into her.!

The firelight played about her hair. “I suppose every woman dreams of reviving the old French Salon,” she answered. “They must have been gloriously interesting.” He was leaning forward with clasped hands. “Why shouldn’t she?” he said. “The reason that our drawing-rooms have ceased to lead is that our beautiful women are generally frivolous and our clever women unfeminine. What we are waiting for is an English Madame Roland.” A lank, black-haired girl, with a pair of burning eyes looking out of a face that, but for the thin line of the lips, would have been absolutely colourless, rose suddenly from behind a bowl of artificial flowers. Joan could not suppress a slight start; she had not noticed her on entering. The girl came slowly forward, and Joan felt as if the uncanny eyes were eating her up. She made an effort and held out her hand with a smile, and the girl’s long thin fingers closed on it in a pressure that hurt. She did not speak.

“His sufferings!” he interrupted. “Does suffering entitle a man to be regarded as divine? If so, so also am I a God. Look at me!” He stretched out his long, thin arms with their claw-like hands, thrusting forward his great savage head that the bony, wizened throat seemed hardly strong enough to bear. “Wealth, honour, happiness: I had them once. I had wife, children and a home. Now I creep an outcast, keeping to the shadows, and the children in the street throw stones at me. Thirty years I have starved that I might preach. They shut me in their prisons, they hound me into garrets. They jibe at me and mock me, but they cannot silence me. What of my life? Am I divine?” Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel. “Did you ever try, Dad?” she asked.