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"Well, now," they replied; "we have those animals, how are we to kill them?" "You are talking too much," says Mona, nervously. She makes various attempts at thinking it out. She places her pretty hands upon her prettier brows, under the mistaken impression common to most people that this attitude is conducive to the solution of mysteries; but with no result. Things will not arrange themselves..

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Mere beauty of form and feature will fade indeed, but Mona's beauty lies not altogether in nose or eyes or mouth, but rather in her soul, which compels her face to express its lightest meaning. It is in her expression, which varies with each passing thought, changing from "grave to gay, from lively to severe," as the soul within speaks to it, that her chief charm dwells. She is never quite the same for two minutes running,—which is the surest safeguard against satiety. And as her soul is pure and clean, and her face is truly the index to her mind, all it betrays but endears her to and makes richer him who reads it. It is a drooping blackberry-leaf from a bush near where she is standing, that has turned from green into a warm and vivid crimson. She examines it minutely, as though lost in wonder at its excessive beauty, for beautiful exceedingly it is, clothed in the rich cloak that Autumn's generosity has flung upon it; yet I think, she for once is blind to its charms. The air is full of death and desolation. It is cold and raw, and no vestige of vegetation is anywhere. In the distance, indeed, she can see some fir-trees that alone show green amidst a wilderness of brown, and are hailed with rapture by the eye, tired of the gray and sullen monotony. But except for these all is dull and unfruitful. "What do you mean, Geoffrey?" demands his mother, with suppressed indignation..