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When the son-in-law had come pretty close to where the buffalo lay he said to his father-in-law, "Old man, stand up and look all about you. Look carefully and well, for it will be the last time that you will ever see anything"; and while the son-in-law said this he took an arrow from his quiver. After a little time she succeeds in partially lifting the cloud that has fallen on her brother. He has grown strangely fond of her, and finds comfort in her gentle eyes and sympathetic mouth. Like all the rest, he has gone down before Mona, and found a place for her in his heart. He is laughing at some merry absurdity of hers, and is feeling braver, more hopeful, when a little chill seems to pass over him, and, turning, he confronts a tall dark young man who has come leisurely—but with a purpose—to where he and Mona are standing. There is a pause. In shrinking doubt she awaits the moment that shall make him take advantage of her words. But that moment never comes. In vain she waits. At length she lifts her eyes, and he, flinging the parchment at her feet, cries, roughly,—.
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Violet has gone to the stables to bestow upon her bonny brown mare her usual morning offering of bread; Jack, of course, has gone with her. Then the young man spoke and asked, "Why is this? Why do you not give me food?" Dorothy from her corner laughs gayly. "Poor old Noll," she says: "it was his unhappy childhood that blighted his later years and made him the melancholy object he is." "Where does he write from?" asks Violet..
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