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Then she accompanies him to the door, but gravely, and not with her accustomed gayety. Standing on the door-step he looks at her, and, as though impelled to ask the question because of her extreme stillness, he says, "Of what are you thinking?" "Ah," replied the father, "you see here people who are truly poor. We have no food. For many days the buffalo did not come in sight, and we looked for deer and other animals, which people eat, and when these had all been killed we began to starve. Then I said, 'We will not stay here to die from hunger,' and we set out for the mountains. This is the fourth night of our travels." "Now, do they?" says Mona. "I thought they always wore lovely clothes. In books they always do; but I was too young when with Aunt Anastasia in Dublin to go out. Somehow, what one imagines is sure to be wrong. I remember," laughing, "when I firmly believed the queen never was seen without her crown on her head.".
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Perhaps, just at first, surprise is too great to permit of his feeling either astonishment or indignation. He looks from Paul Rodney to Mona, and then from Mona back to Rodney. After that his gaze does not wander again. Mona, running to him, throws herself into his arms, and there he holds her closely, but always with his eyes fixed upon the man he deems his enemy. "In spite of all that has passed, I do entreat you to meet me at three o'clock this afternoon at the river, beneath the chestnut-tree. Do not refuse. Let no shrinking from the society of such as I am deter you from granting me this first and last interview, as what I have to say concerns not you, but those you love. I feel the more sure you will accede to this request because of the heavenly pity in your eyes last night, and the grace that moved you to address me as you did. I shall wait for you until four o'clock. But let me not wait in vain.—P. R." "Very. And you are not a bit like her, after all," says Geoffrey, with sudden compunction, "because you are going to be as happy as the days are long, if I can make you so." It was in the boudoir they were sitting, and Violet was dressed in some soft gray dress that shone and turned into palest pearl as she moved. It was his mother's boudoir, the room she most affects, with its crimson and gray coloring and its artistic arrangements, that blend so harmoniously, and are so tremendously becoming to the complexion when the blinds are lowered. How pretty Mona would look in a gray and crimson room? how——.
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