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“Six seconds, you mean,” said Otto.,

AN ODE,

By some chance the next picture was a lurid western romance in which Indians and cowboys were all jumbled together with furious riding and rescues of the beautiful heroine. Of course, the Indians in the picture were the villains. As the film unfolded the Mexicans grew more excited over the story and Bob noticed that they began to throw slighting remarks towards the Indian sitting directly in front of him.,

“Yes; Greasers much excited. One man make bad medicine. He Miguel. They plan big strike—no more work. To-day came news much killing on border. Miguel tell ’em Gringo all scared. They keep quiet, then capture dam.”

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It was not long before he presented himself, washed and changed, at the general offices. As he went in he asked the girl at the telephone if Mr. Whitney had returned.,

What a crazy idea! Glad, when it had all come about only because Uncle Isaac was dead—dear, good, kind Uncle Isaac! Every time Johnny Blossom thought of him a lump came in his throat. Then he would whistle to try to get the lump away, but whistling did not help greatly, for he was very sorry and missed Uncle Isaac so much. No, glad about it he could never be, never in the world.,

Parent of shades!—of silence!—dewy airs!,

Emilia, the elder, inherited much of her mother's disposition. She had a mild and sweet temper, united with a clear and comprehensive mind. Her younger sister, Julia, was of a more lively cast. An extreme sensibility subjected her to frequent uneasiness; her temper was warm, but generous; she was quickly irritated, and quickly appeased; and to a reproof, however gentle, she would often weep, but was never sullen. Her imagination was ardent, and her mind early exhibited symptoms of genius. It was the particular care of Madame de Menon to counteract those traits in the disposition of her young pupils, which appeared inimical to their future happiness; and for this task she had abilities which entitled her to hope for success. A series of early misfortunes had entendered her heart, without weakening the powers of her understanding. In retirement she had acquired tranquillity, and had almost lost the consciousness of those sorrows which yet threw a soft and not unpleasing shade over her character. She loved her young charge with maternal fondness, and their gradual improvement and respectful tenderness repaid all her anxiety. Madame excelled in music and drawing. She had often forgot her sorrows in these amusements, when her mind was too much occupied to derive consolation from books, and she was assiduous to impart to Emilia and Julia a power so valuable as that of beguiling the sense of affliction. Emilia's taste led her to drawing, and she soon made rapid advances in that art. Julia was uncommonly susceptible of the charms of harmony. She had feelings which trembled in unison to all its various and enchanting powers.