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To the surprise of everybody, Geoffrey takes no open notice of his mother's speech. He does not give way to wrath, nor does he open his lips on any subject. His face is innocent of anger, horror, or distrust. It changes, indeed, beneath the glow of the burning logs but in a manner totally unexpected. An expression that might even be termed hope lights it up. Like this do his thoughts run: "Can it be possible that the Australian has caved in, and, fearing publicity after last night's fiasco, surrendered the will to Mona?" "But this is very sad for you, isn't it?" she says, feeling herself in duty bound to say something. The reproachful ring in his voice does its intended work. The soft heart throws out resentment, and once more gives shelter to gentle thoughts alone. She even consents to Rodney's laying his cheek against hers, and faintly returns the pressure of his hand..

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"What do you mean, Geoffrey?" demands his mother, with suppressed indignation. "I must go now. Good-night," says Mona, kindly if coldly. He escorts her to the door of the conservatory There Lauderdale, who is talking with some men, comes forward and offers her his arm to take her to the carriage. And then adieux are said, and the duke accompanies her downstairs, whilst Lady Rodney contents herself with one of her sons. "You would turn a farce into a tragedy," he says, mockingly, "Why should I bribe a servant to let me see an old room by midnight?" A little foam has gathered round his lips, and his eyes are wild. Geoffrey, by a slight movement, puts himself between Mona and this man, who is evidently besides himself with some inward fear and horror..