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"You are all wet. Do go home and change your clothes," says Mona, who is still sitting on the grass with her gown spread carefully around her. "Or perhaps"-reluctantly—"it will be better for you to go to the farm, where Bridget will look after you." On the instant all is forgotten,—chagrin, shame, shoes and stockings, everything! Springing to her little naked feet, she goes to him, and, raising her hand, presses her handkerchief against the ugly stain. "He has," says the duke. "But he has his reward, you know: nobody likes him. By the by, what horrid bad times they are having in your land!—ricks of hay burning nightly, cattle killed, everybody boycotted, and small children speared!".
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Then they do the grotto, and then Lady Lilias once more leads the way indoors. Then Geoffrey offers Mona his hand, and leads her to the centre of the polished floor. There they salute each other in a rather Grandisonian fashion, and then separate. At this point the house comes in view, and conversation languishes. The women give a small touch to their furs and laces, the men indulge in a final yawn that is to last them until the gates of Anadale close behind them again. Perhaps another reason for Mona's having found such favor in the eyes of "the biggest woman in our shire, sir," lies in the fact that she is in many ways so totally unlike all the other young women with whom the duchess is in the habit of associating. She is naive to an extraordinary degree, and says and does things that might appear outre in others, but are so much a part of Mona that it neither startles nor offends one when she gives way to them..
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