Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. “What’s he like in himself?” he asked her. “You’ve been seeing something of him, haven’t you?”!

A well-known artist had been found murdered in his bed and grave suspicion attached to his beautiful young wife. “No,” he answered. “Just chance. Caught sight of your photo.”

“I think she could,” answered Joan, “if she would pull herself together. It’s her lack of will-power that’s the trouble.” In the spring, Joan, at Mrs. Denton’s request, undertook a mission. It was to go to Paris. Mrs. Denton had meant to go herself, but was laid up with sciatica; and the matter, she considered, would not brook of any delay. Others continued to arrive until altogether there must have been about a dozen women present. One of them turned out to be an old schoolfellow of Joan’s and two had been with her at Girton. Madge had selected those who she knew would be sympathetic, and all promised help: those who could not give it direct undertaking to provide introductions and recommendations, though some of them were frankly doubtful of journalism affording Joan anything more than the means—not always too honest—of earning a living.