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Elinor rose, and going to her bag that was still dangling from the chair back where she had flung it in her hurried preparation for dinner, took out a cardcase, and drawing forth three square bits of gray cardboard, handed them to Patricia. "She's rather too collap-y for my taste," volunteered Patricia, gathering up the remains of their repast. "I like the looks of lots of the others far better than hers. Let's ask Miss Margaret Howes about her. No doubt she can tell us what is her secret trouble." "Oh, there is no fear of that," said Jen, in a confident tone. "Free quarters and plenty of food will keep Battersea in my kitchen. If he were guilty of the crime, he would not stay, but as it is he will remain under my eye. I intend to question him further about the connection between Dido and Etwald; I wonder what power the doctor holds over the negress." "You all know," Bruce went on, "that I have been trying an experiment of my favorite theory of art education, but very few of you know how it has progressed. And it is to show you the result that I have lured you here today—to crow over some of you, in fact. The canvas I am going to show you was designed, executed as far as it has gone, entirely by Miss Elinor Kendall, a student of hardly more than nine months' study. The subject is the 'Nativity' and it is designed for a chancel in a small church.".